首页 » 剧情片 » 荣耀六十年
- 荣耀六十年
- 主演:Anna Neagle Anton Walbrook C. Aubrey Smith Walter Rilla
- 类型:剧情片
- 状态:HD中字
- 导演:Herbert Wilcox
- 地区:英国
- 年份:1938
剧情简介:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 19灵龟网38. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
如果爱奇艺不能正常播放,请尝试切换线路↑↑↑,正在爱奇艺线路
倒序↓顺序↑
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 19灵龟网38. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
-
风雨送春归
王志文,于震,俞飞鸿,王力可,鲁诺,陈龙,郭冬冬,王若雪,赵樱子,何音,张秋歌,巫刚,石兆琪,冯恩鹤,马书良,张冰,鲁思远,马晓峰,维妮,沈磊,金为珩,李倩倩,刘忠虎,贺刚,张璐瑶,雁琪,王嘉儒,侯勇
剧情片
2023/中国大陆
风雨送春归
-
线人
乔恩·福斯特,奥斯汀·尼可斯,艾梅柏·希尔德,卢·泰勒·普奇,Fernando Consagra,亚伦·希梅尔斯坦,梅尔·拉多,瑞斯·伊凡斯,Germán Tripel,比利·鲍伯·松顿,金·贝辛格,薇诺娜·瑞德,布拉德·兰弗洛,苏姗妮·福特,卡梅隆·古德曼,米基·洛克,安吉拉·萨拉弗安,克里斯·艾塞克,凯蒂·米克松,彼得·斯卡纳维诺,西奥·罗西,杰西卡·斯特普,西蒙娜·凯塞尔,Milena Ar
剧情片
2008/德国 / 美国
线人
-
阿黛尔的生活
阿黛尔·艾克萨勒霍布洛斯,蕾雅·赛杜,萨利姆·克希乌什,热雷米·拉厄尔特,卡特琳·萨雷,奥雷利安·雷克因,莫娜·瓦尔拉芬斯,阿尔玛·佐杜洛夫斯基,安娜·卢瓦雷,本杰明·思科索,桑德尔·丰泰克
剧情片
2013/法语
阿黛尔的生活
-
中国合伙人
黄晓明,邓超,佟大为,杜鹃,王真儿,乔治·安东,杨晨,张籽沐,雷昊汶,佟磊,刘天佐,Claire Quirk,Daniel Berkey,公翠英,于膨玮,冯仑,宇轩,胡明杨,柏明,唐晓峰,凯特琳·菲茨杰拉德,杨轶,吴越坤,张跃德,毛大庆,田朴珺,John Taylor,闫锐,Barbara Malley,Tracey Ilgner,Catherine Gibson,Anthony Santoro,
剧情片
2013/内地
中国合伙人